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Once you start creating artwork for products, the world begins to look different. Every aisle becomes a tiny gallery. Every shelf becomes a quiet invitation. And suddenly you realise that potential clients are not hiding at all. They’re right there in front of you, waiting to be noticed.

This collection approaches textile not as surface alone, but as a medium through which the invisible can take form. Rather than depicting birds or nature directly, the work translates birdsong into a visual language of dots, lines, and moiré. These elements echo rhythm, vibration, and duration. They do not represent sound. They suggest it. They invite the viewer to perceive something that is otherwise fleeting.

For a long time I thought my style was something I needed to figure out. So I tried to control it. Same colours. Same brushes. Keeping everything consistent from the beginning. That is where I went wrong.